Tonight at 6 pm: Creative Time, MTA Arts for Transit, and The Metropolitan Museum of Art present a conversation between artist Nick Cave; Nato Thompson, Chief Curator of Creative Time; and Alisa LaGamma, Curator, Department of the Arts of Africa, Oceania, and the Americas, MMA. They will discuss the role of masquerade, performance, and dreaming in public as they relate to the artist's project in Grand Central Terminal, HEARD-NY. Free with museum admission; space is limited. Bonnie J.Sacerdote Lecture Hall, Uris Center for Education. Enter at ground level on Fifth Avenue, opposite 81^st Street. Information.

This just in from CREATIVE TIME: 
Every day through Sunday, March 31, you can visit Grand Central’s Vanderbilt Hall to watch “crossings,” in which students from The Ailey School bring the horse Soundsuits to life at 11AM and 2PM. Thanks to our friends at POKE New York, your social media posts on Facebook, Twitter, Instagram, Foursquare and Vine tagged #IHEARDNY now appear on aspecial page on our website! Even better, at the conclusion of HEARD•NY, Nick Cave will select 100 of the most imaginative, witty, and beautiful examples, and POKE will use them to create a unique digital experience on the page.

Tonight, 6-8 pm: Opening reception, Elizabeth Peyton. Gavin Brown’s Enterprise, 620 Greenwich Street, NY, NY.

Above: Eric William Carrol, Blue Line of Woods, photo from 2011 installation at Rayko Photo Center, Artist in Residence Exhibition. From the artist’s website.

BOSI Contemporary, on the Lower East Side, is presenting New Photogenic Drawings, featuring photograms by Chuck Kelton and diazotypes by Eric William Carroll. Both artists are showing bodies of work and artist books that draw on the legacies of early pioneers in the photographic practice — such as Anna Atkins, Carleton Watkins and Timothy O’Sullivan — and present a compelling new vision through unique works that are irreproducible and made without negatives.

Carroll’s diazotypes (above) are created by his mitigation of light and photosensitive paper in situ in nature, while Kelton’s masterful photograms are created in a darkroom, at times devoid of anything botanical or environmental in the process.

In addition to their unique prints, the exhibition features books by both artists; Eric William Carroll’s Blue Line of Woods, a limited edition artist book, measuring 11″ x 9″ x 1.5″, composed of accordion bound pigment ink prints with an unfixed gelatin silver print on cover, and Chuck Kelton’s artist folio, Night after Night, comprising nine unique, hand toned, photograms. Bosi Contemporary, 48 Orchard Street, just south of Grand, NY, NY.